Liliana Moro

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Liliana Moro, Moi, 12 loudspeakers, 12 iron pedestals, cables, sound mixer, mp3, audio: the artist presenting again through her voice the performance she executed in 1997, titled Studio per un probabile equilibrio in movimento, dimensions variable, 2012. Installation view, Liliana Moro, Moi, Spazio Culturale Antonio Ratti, Como, 2012

Liliana Moro, Moi, 12 loudspeakers, 12 iron pedestals, cables, sound mixer, mp3, audio: the artist presenting again through her voice the performance she executed in 1997, titled Studio per un probabile equilibrio in movimento, dimensions variable, 2012. Installation view, Liliana Moro, Moi, Spazio Culturale Antonio Ratti, Como, 2012

Liliana Moro, Soffio, plastic electric motorcycle, 2 iron hooks, speakers, audio: electronic guitar solo, 110 x 74 cm, 1999. Installation view, Liliana Moro, Soffio, Emi Fontana Gallery, Milan, 1999

Liliana Moro, Soffio, plastic electric motorcycle, 2 iron hooks, speakers, audio: electronic guitar solo, 110 x 74 cm, 1999. Installation view, Liliana Moro, Soffio, Emi Fontana Gallery, Milan, 1999

Liliana Moro, Sundown, 30 bronze chairs, metal panel, acoustic trumpet, speaker with connection to RADIO 3, 2023. Installation view, ArtLine Sculpture Park, Milan, 2023

Liliana Moro, Sundown, 30 bronze chairs, metal panel, acoustic trumpet, speaker with connection to RADIO 3, 2023. Installation view, ArtLine Sculpture Park, Milan, 2023

Liliana Moro, La rivoluzione non è più solo necessaria ma indispensabile, metal sickle gold-plated with spray paint, 150 x 60 cm, 2011

Liliana Moro, La rivoluzione non è più solo necessaria ma indispensabile, metal sickle gold-plated with spray paint, 150 x 60 cm, 2011

Liliana Moro, Maria, white globe lamp with lighted bulb, microphone, backpack with loudspeaker inside, soundtrack: operas sung by Maria Callas, dimensions variable, 2012

Liliana Moro, Maria, white globe lamp with lighted bulb, microphone, backpack with loudspeaker inside, soundtrack: operas sung by Maria Callas, dimensions variable, 2012

Liliana Moro, Torno Subito #2, bed in handcraft crystal, broken glass, hole in a wall, 88 x 132 x 68 cm, 2001. Installation view, Liliana Moro, Emi Fontana Gallery, Milan, 2001

Liliana Moro, Torno Subito #2, bed in handcraft crystal, broken glass, hole in a wall, 88 x 132 x 68 cm, 2001. Installation view, Liliana Moro, Emi Fontana Gallery, Milan, 2001

Liliana Moro, Salti, toy car tracks (plastic and steel), drawings on paper, dimensions variable, 1997. Installation view, May You Live in Interesting Times, Italian Pavilion at 58th Venice Biennale, Venice, 2019

Liliana Moro, Salti, toy car tracks (plastic and steel), drawings on paper, dimensions variable, 1997. Installation view, May You Live in Interesting Times, Italian Pavilion at 58th Venice Biennale, Venice, 2019

Liliana Moro, Underdog, 5 chiselled and patinated dogs cast in bronze, dimensions variable, 2005. Installation view, Liliana Moro, Underdog, Emi Fontana Gallery, Milan, 2005

Liliana Moro, Underdog, 5 chiselled and patinated dogs cast in bronze, dimensions variable, 2005. Installation view, Liliana Moro, Underdog, Emi Fontana Gallery, Milan, 2005

Liliana Moro, Capovolto, aluminium tube, white globe, LED, electric cable, dimensions variable, 2012. Installation view, Liliana Moro, né in cielo né in terra, Almanac Projects, London, 2018

Liliana Moro, Capovolto, aluminium tube, white globe, LED, electric cable, dimensions variable, 2012. Installation view, Liliana Moro, né in cielo né in terra, Almanac Projects, London, 2018

Liliana Moro, Un mondo senza testa #6, ink and collage on paper, dimensions variable, 2003. Installation view, Liliana Moro, A World With No Head, 1301PE, Los Angeles, 2003

Liliana Moro, Un mondo senza testa #6, ink and collage on paper, dimensions variable, 2003. Installation view, Liliana Moro, A World With No Head, 1301PE, Los Angeles, 2003

Liliana Moro, Abbassamento, dolls and paper constructions, dimensons variable, 1992. Installation view, Liliana Moro, Abbassamento, Spazio di Via Lazzaro Palazzi, Milan, 1992

Liliana Moro, Abbassamento, dolls and paper constructions, dimensons variable, 1992. Installation view, Liliana Moro, Abbassamento, Spazio di Via Lazzaro Palazzi, Milan, 1992

Liliana Moro, àncóra, neon and metal structure, 25 x 80 cm, 2015. Installation view, Liliana Moro, Àncóra, FPAC, Palermo, 2015

Liliana Moro, àncóra, neon and metal structure, 25 x 80 cm, 2015. Installation view, Liliana Moro, Àncóra, FPAC, Palermo, 2015

Performance view, Liliana Moro, Studio per un probabile equilibrio in movimento (Study for a likely balance in motion), with Giovanna Lué, realised during the theatre performance Canti marini 1 e 2 by Virgilio Sieni, 1997

Performance view, Liliana Moro, Studio per un probabile equilibrio in movimento (Study for a likely balance in motion), with Giovanna Lué, realised during the theatre performance Canti marini 1 e 2 by Virgilio Sieni, 1997

Liliana Moro, Un Mondo Senza Testa, 12 chairs, 1 table, 3 loud speakers, paper model, CD, CD player, amplifier, dimensions variable, 2003. Installation view, Liliana Moro, A World With No Head, 1301PE, Los Angeles, 2003

Liliana Moro, Un Mondo Senza Testa, 12 chairs, 1 table, 3 loud speakers, paper model, CD, CD player, amplifier, dimensions variable, 2003. Installation view, Liliana Moro, A World With No Head, 1301PE, Los Angeles, 2003

Liliana Moro, No Frost, working refrigerator, adhesive plastic, iron, padlock, 110 x 60 x 60 cm, 1990. Installation view, Liliana Moro, Spazio di Via Lazzaro Palazzi, Milan, 1990

Liliana Moro, No Frost, working refrigerator, adhesive plastic, iron, padlock, 110 x 60 x 60 cm, 1990. Installation view, Liliana Moro, Spazio di Via Lazzaro Palazzi, Milan, 1990

Liliana Moro, Fire, five inflatable dolls compressed between two glass plates, 1992. Installation view, Documenta IX, Kassel, 1992

Liliana Moro, Fire, five inflatable dolls compressed between two glass plates, 1992. Installation view, Documenta IX, Kassel, 1992

Liliana Moro, Nessuno, 4 acoustic speakers, guitar stand, paper construction, flashing lights, speaker with recording of the artist reading the text “happy days” by Samuel Beckett, dimensions variable, 1993. Installation view, Liliana Moro, Nessuno, Emi Fontana Gallery, Milan, 1993

Liliana Moro, Nessuno, 4 acoustic speakers, guitar stand, paper construction, flashing lights, speaker with recording of the artist reading the text “happy days” by Samuel Beckett, dimensions variable, 1993. Installation view, Liliana Moro, Nessuno, Emi Fontana Gallery, Milan, 1993